8/29/2020 0 Comments Ddx3216 Software Download
Start with 32 channels, 16 internal buses, 8 aux sends, and flying faders Each channel features a fully parametric 4-band equalizer, sweepable high-.Full-fledged dynamic and static automation functions; extensive synchronization options and MIDI implementation; a comprehensive internal IO patchbay; full digital compatibility and functionality supported by 2 expansion slots for ADAT, TDIF, AESEBU interfaces; and more.
All are based on 32-bit floating-point processing (40-bit for EQ). Musicians Friend is a registered trademark of Musicians Friend, Inc. Publisher does not accept liability for incorrect spelling, printing errors (including prices), incorrect manufacturers specifications or changes, or grammatical inaccuracies in any product included in the Musicians Friend catalog or website. The inability to use EQ and dynamics on the 16 busses (at least not without folding them back to an open channel) is a drawback, albeit a minor one. With a reasonable price, solid execution and impressive feature set, the first incarnation of the Behringer DDX3216 proves to be a worthy addition to this key product category. Nearly indispensable for digital tape-based and standalone hard disk applications, many engineers find that a versatile small console is also a valuable tool even when working with an advanced DAW as the primary medium. Digital conversion is handled by 24-bit AKM DA converters and Crystal AD converters (delta-sigma, 128x oversampling), with sample rates of 44.1 kHz or 48 kHz. Twelve microphone inputspreamps come standard, in all with analog inserts appearing on a combined TRS jack. MIDI inoutthru connections are provided, as is a dedicated SMPTE connection on a balanced XLR jack, a nice touch. The DDX3216 can both generate and slave to word clock signals, accessible via provided coaxial BNC connections. A control room level pot also appears on the top panel, as does a button for a quick 20 dB of gain reduction on the control room outputs. The mixers 32 channels are controlled by 16 100mm motorized faders, with each channel strip containing a soft knob with ring LEDs for parameter control, and lighted buttons for solo, mute, automationrecord enable, and channel selection. Each strip contains a generous 16-bar in-line LED meter (next to the fader) and fader bank controls allow access to all 32 channels in addition to output and auxeffects busses. Paging though menus is accomplished via six soft knobs, each doubling as a button for data input, and four navigation buttons that effectively serve as cursor control. EQ and dynamics for each channel are handled here, as are the wide variety of internal functions including setup, routing, IO, and MIDI settings. Dynamics and four-band parametric EQ are available on each channel, though not on the 16 busses. Context-driven parameter control occurs through the displays soft inputs, while level control (for aux and effects sends and the like) is generally handled on the channel strip. The master control section is well laid out, and always a good sign I was able to get up and running quickly before even resorting to the manual. Then, I found the manual to be refreshingly clear and comprehensive, with only the occasional awkward phrasing. I found the inability to rout the digital input to anything other than channels 1314 to be a minor annoyance however. While some digital consoles offer more extensive off-line automation editing, I found its absence here quite tolerable given the ability to single out individual parameters for fine-tuning. The dynamic characteristics of the automation modes provide an impressive level of flexibility and control. The inline compressor was more than sufficient for getting a reign on dynamics, though I would hesitate to use it on lead vocals or other crucial tracks. The ability to patch in a side chain source to both the compressor and gate is a definite plus, and better still, the side chain can come from any channel.
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